Nai Lee

I want to remain lucid, and I am willing to dream.

我想保持清醒,也願意入夢。

Until Further Notice — 02 ↗
No. 02
Works ↓

Works & Thoughts 作品與思想

I bring these works together. Some answer one another; others make me argue with myself.

我把作品放在一起。有些彼此呼應,有些使我反駁自己。

A black-and-white portrait. The subject looks directly into the camera, her arms crossed close to her chest and hands near her shoulders, with a thick chain in front of her wrists.

Until Further Notice ↗另候通知

Photographed 2020

Uyghur · Photography

Series models: 鄭羽彤、王妤

When going home requires permission, distance is measured differently.

當回家需要許可,熟悉的距離也變得漫長。

Between Sounds ↗聲音之間

Study 2026

Interactive sound study

I turn towards one sound. The others do not stop.

我轉向一個聲音。其他聲音,沒有因此停止。

People, luggage and a gaze in the foreground

Passing Each Other ↗途經彼此

Photographed 2011

India · Elsewhere, Chapter 1 · 20 photographs

Someone looks back. The story I am imagining pauses.

有人望過來,我正在想的故事停了一下。

Carved stone figures by the waterfront

Elsewhere ↗在他方

Photographed 2011–2022

A photographic collection · 27 photographs

I arrive elsewhere carrying an idea of what I hope to see.

到了別處,我仍帶著想看見的東西。

A canyon receding into haze and evening light, within the original white border

Out of Scale ↗尺度之外

Photographed 2016–2017

United States · Elsewhere, Chapter 2 · 3 photographs

I fit a distant view into the frame, and lose my sense of my own size.

我把遠方收進畫面,自己的大小卻變得不確定。

A black-and-white night street with blurred lights

Coming Closer ↗靠近的途中

Photographed 2013–2014

Sydney · Elsewhere, Chapter 3 · 3 photographs

Closeness fills the frame as the surroundings recede.

親近佔滿畫面,周圍漸漸退去。

Thought and Practice思想與創作

I want to remain lucid, and I am willing to dream.

我想保持清醒,也願意入夢。

I can feel nostalgia for an era I have never lived through, or recognise something of myself in a world I know to be fictional. Knowing how it was made does not undo what I feel. I want to understand what makes me willing to believe, and how much of what I call my own takes shape in that belief.

我會為未曾經歷的年代感到鄉愁,也會在一個明知虛構的世界裡,認出自己的某一部分。知道它如何被製造,並沒有使感受失效。我更想知道,是什麼讓我願意相信;又有多少我稱為自己的東西,是在相信的過程裡形成的。

I question the happiness laid out for us, yet I cannot be sure how much of what I desire has taken shape outside that design. I need order so I can act. But the life it makes possible may gradually become the only life I can imagine.

我懷疑那些替人安排好的幸福,卻無法確定,自己的渴望有多少是在安排之外長成的。我需要秩序,使自己能夠行動;但這些安排,也可能逐漸變成我唯一能想像的生活。

When I press the shutter, I draw a boundary around a part of the world. What lies beyond it does not stop. When the same melody returns, I am already waiting for a certain note to arrive. I hand my time over to it, and begin to wait on its terms.

按下快門時,我為世界劃出一個邊界;邊界以外的事並沒有停止。同一段旋律再響起,我已在等某個音落下。我把時間交給它,也開始照著它的安排,等待。

When I turn the camera towards someone, my expectations are there too. I want to see them, and I want my idea to hold. When these desires get in each other’s way, what am I still willing to see?

鏡頭朝向別人,我的期待也在其中。我希望看見他,也希望自己的想法能成立。當這兩個願望互相妨礙,我還願意看見什麼?

As I make work, I bring together voices I have absorbed. Some answer one another; others make me argue with myself.

創作時,我把吸收而來的聲音放在一起。有些彼此呼應,有些使我反駁自己。

I want to sing. I want to hear the note on which a sentence, so certain on the page, begins to falter.

我想唱。也想聽見,一句寫下來很確定的話,會在哪個音上動搖。

About 關於

Portrait of Nai Lee

Nai Lee王乃立

Born in Taipei, 1986

1986 年生於臺北

Works with photography, moving image, sound and writing, exploring ways of looking and listening.

以攝影、動態影像、聲音與文字創作,探索觀看與聆聽的方式。